Reuxn (Xin) Yao is a *(visual communicator, graphic designer, researcher) with experience in a variety of exciting projects to question the existing graphic design discipline through non-linear visual narratives. Passion for *(editorial design, printed matter, visual identity, experimental and conceptual visual arts). By exploring the new methodology that emerges due to technological advancements, his research currently focuses on the shifting interaction between the *(internet, publishing, and visual communication) in the age of digital reproduction.
A1 flat size fold to 297x140mm
*SHIFTING THE CENTRE:
ANTICOLONIAL WAYS OF SEEING
*CONTINUUS SPACE (20
Continuus Space is an interconnection of concepts, existing between one work and the other. It acts as the fil rouge, the common thread, that enables and ties ideas, narratives and ways of thinking. Continuus Space is the celebration of a forever mutable web of relations. Every point is described by the intersection of a number of lines, forming connections amongst diverse practices.
Continuus Space’s main intention is to bring together diverse practices and ideas, to create space for discourse, while offering an online display for emerging artists.
(Visual Identity) (Creative Direction)
Continuus Space’s main intention is to bring together diverse practices and ideas, to create space for discourse, while offering an online display for emerging artists.
(Visual Identity) (Creative Direction)
*A
(2021)
A Line Which Forms a Volume 5 is a critical reader and symposium of graphic design-led research, which is written, edited, designed, and published by participants of the MA Graphic Design course at London College of Communication. The fifth issue explores acts of leaning and how they interconnect with concepts of care and transparency in the process of making design research public.
We see leaning as the of diverging forces seeking shared stability and collaboration. When leaning, we defy structural integrity and we let vulnerability arise. As our practice leans on, through, into and towards a subject (and vice versa), we show and exercise care for the complexities of contemporary society.
(Lead Designer_1/2)
(Production Team_1/4)
A Line Which Forms a Volume 5 is a critical reader and symposium of graphic design-led research, which is written, edited, designed, and published by participants of the MA Graphic Design course at London College of Communication. The fifth issue explores acts of leaning and how they interconnect with concepts of care and transparency in the process of making design research public.
We see leaning as the of diverging forces seeking shared stability and collaboration. When leaning, we defy structural integrity and we let vulnerability arise. As our practice leans on, through, into and towards a subject (and vice versa), we show and exercise care for the complexities of contemporary society.
(Lead Designer_1/2)
(Production Team_1/4)
EVENT POSTER FOR AXEL ARIGATO (2022)
Image found on eBay
*SIERIZ SS24 LOOKBOOK (2024)
*SELFRIDGES LUNAR NEW YEAR (2024)
*UNCREATIVE PORTRAIT_WHAT_IF_I_AM_A_NOBODY.ZIP
(2022)
‘Uncreative portrait’ is an accumulation that documents the designer’s single portrait in multiple visual languages produced by the impact of computers and cyberspace.
By examining the digital sublime as an alternative visual representation, it establishes a discourse around the aura of self-identity in the age of digital reproduction. These images continuously explore our digital self’s shifting authenticity and identity in the contemporary digital era. Is there a line between the self and its data shadow? Where is our physical memory going in this endless re-identification process?
The ‘pdf’ includes 300 interpretations of the designer’s own portrait, calling into question the ever-changing process of individuation as well as the ongoing process of redefinition in the context of the contemporary sublime.
By examining the digital sublime as an alternative visual representation, it establishes a discourse around the aura of self-identity in the age of digital reproduction. These images continuously explore our digital self’s shifting authenticity and identity in the contemporary digital era. Is there a line between the self and its data shadow? Where is our physical memory going in this endless re-identification process?
The ‘pdf’ includes 300 interpretations of the designer’s own portrait, calling into question the ever-changing process of individuation as well as the ongoing process of redefinition in the context of the contemporary sublime.
[Creative Direction]
*SELFRIDGES LUNAR NEW YEAR (2024)
Illustration by Can Yang
*PROTOPAPERS - A SUMMER SPECIAL (2023)
*SIERIZ AW23 LOOKBOOK (2023)